Pearson Education, Inc., 221 River Street, Hoboken, New Jersey 07030, (Pearson) presents this site to provide information about Adobe Press products and services that can be purchased through this site. You will remove this extraneous object from the shot by creating a garbage matte. Notice that at the end of the shot, the camera pans left and we see the corner of the wall behind the green screen. On Video 2 is the footage of Joey dancing in front of a green screen, and on Video 1 is a clip of an animated background.ģ Press the spacebar to play the sequence. Notice that this sequence contains 2 video layers. The technical term for this is a garbage matte.ġ In the Project panel, select the Chroma Keying bin.Ģ Double-click the Chroma Keying sequence to open it in the Timeline panel. In some green screen footage, there are objects in the shot that can be removed by simply cropping out that part of the frame. Was the background evenly lit? Was it recorded in a video format optimal for Chroma Keying? Does the subject have strands of long hair, or is the subject moving very quickly through the shot? These and other factors will determine whether you can achieve a satisfactory result with a single click, or if you will need to make some adjustments to get the look you want. How easy, or difficult it is to pull a “clean key” (essential to achieving a convincing final result) depends on a variety of factors having to do with the quality of the footage.
#ADOBE PREMIERE CS6 GREEN SCREEN TV#
This technique is used on everything from major motion pictures to the weather report on your local TV news.
Once the footage has been imported into Premiere Pro, the background is removed with a chroma key effect (and sometimes a garbage matte), which enables the compositing of the subject with another shot or scene. The typical workflow for Chroma Keying starts by recording the subject in front of an evenly-lit green or blue background.
The most common and effective method of achieving this effect is Chroma Keying. One of the most useful techniques to learn in video postproduction is being able to convincingly insert a subject recorded in front of a green (or blue) background into a scene, thereby creating the illusion to the viewer that the subject is actually part of that scene. That's the closest you are going to get though.Note: This excerpt is from the forthcoming book Adobe Creative Suite CS6 Production Premium Classroom in a Book, ISBN 978-8-9.
#ADOBE PREMIERE CS6 GREEN SCREEN FULL#
The only functionality is the functionality that maximizes a particular panel or full screens the preview, but you already mentioned those are not what you are looking for.
You really are not practically losing any meaningful amount of screen real-estate. Note that if you really need every last scrap of screen real estate though, you can adjust the task bar so that you can make it only a small line on the bottom of the screen though. If you aren't purely focusing on the video, then the amount of lost and distracting space really isn't a big issue. Premiere is much more complex than LR and a significant portion of screen real-estate is taken up by those controls. The full screen mode is helpful in Lightroom because it allows focusing on the photo with only basic controls. It doesn't have the same kind of feature that lightroom does as the full screen video preview is really the closest in terms of being related functionality. I'm fairly certain there is no such mode.
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